St Mary’s Church

1128 Reviews

Star Travel Rating


Review type

Things to do


Date of travel

February, 2016

Product name

Product country

Product city

Travelled with

Family including children under 16

Reasons for trip

Forget the Dracula connections (Bram Stoker used the churchyard as the setting for his novel) this is a lovely church that is older than the abbey ruins next to it. Standing high above the town on the East Cliff, it is a well loved local landmark. Most people reach it by climbing the 199 steps, the route taken by coffins for burial in the old graveyard.

Whitby was a major Christian centre from the C7th and the famous Synod of Whitby held here in 664 AD confirmed the Roman form of Christianity rather than that of the Celtic Monks. It is possible that the original Minster church was on or near this site. In the C9th the area was destroyed during Danish raids. St Mary’s Church dates from 1100 and was built by the monks of Whitby Abbey. It is older than the ruins of “Whitby Abbey”: which tower over it.

The nave, chancel and tower date from this first church and still have the round topped doors and windows.

The north and south transepts were added in the C13th and C14th. The battlements round the top of the tower and church are C16th. There were concerns about the stability of the tower in the C17th so the top stage was removed, giving the tower its rather squat appearance. The old high pitched roof of the nave gave way and was replaced by the present flat roof. The line of the old roof can still be seen on the east side of the tower.

There was a major extension at the start of the C19th when the north aisle was extended and the galleries built. These were reached by external stairways. Large square windows were inserted in the walls, making the church much lighter. Dormer windows in the roof give extra light. The box pews were added as well as the three decker pulpit.

The inside of the church is a complete surprise with box pews tucked into every available space and a gallery around all the walls. It could seat up to 3000 worshippers. The pews were sold by public auction and the money helped pay for the alterations. Those around the pulpit were larger and had green baize coverings. Further away, pews were smaller with plain wood seats.

A few free pews were kept for the poor. Strangers to the church had their own pews. At the back of the nave was even a pew allocated to the church maid. Some of the pews in the north extension were used by local communities who did not have their own church and are marked by the village name. Their church wardens retained any money taken from these pews during the collection.

In front of the chancel arch and supported on barley sugar columns is the Cholmley pew. The Cholmleys had bought the abbey lands after the Dissolution of the Monasteries and turned the abbey house into their family home. As befitting their social status, they erected a family pew in the most dominant position in the church, and blocking views of the altar. This was reached by their own private external stair.

The three decker pulpit dominates the church. The parish clerk sat on the bottom desk. The priest used the middle deck and the top deck was reserved for the sermon. From here the priest could see the whole congregation and thunder out his messages of hell fire and damnation. On the back of the pulpit are a pair of hearing trumpets used by the wife of the rector who was deaf.

Near the pulpit is the cast iron stove which is still the only form of heating in the church. It was burning when we visited on a cold damp early February day. The warmth didn’t spread very far.

The church does not use electricity and is still lit by candles and the brass chandelier. An evening service here in winter would be a magical experience.

Originally displayed in the chancel, but now propped up against the north wall of the church are the painted wooden boards with the Ten Commandment and the Lord’s Prayer. These had to be displayed in Churches after the Reformation.

The Royal Coat of Arms also had to be displayed, reminding the congregation that the Monarch was head of the church. This still hangs above the chancel arch and there is another above the west door into the church. In front of it is the vamp horn, a C17th form of megaphone, used by the person conducting the choir or church orchestra.

Round the walls are wooden tablets which are over 250 years old and have Scripture texts painted on them.

At the back of the church by the memorial to the dead of the Great War, is the C15th parish chest used to store the church plate and other valuables. This had three locks. The rector held one key and the churchwardens the other two.

The church retains its round Norman chancel arch, although this is almost completely blocked by the Cholmley Family pew erected in the early C15th. On either side of the chancel arch are C15th carved stone fonts which were found being used as field troughs in a nearby farm.

The chancel is the least touched part of the church and is Norman with round topped windows, although the altar is Elizabethan. On the walls are the memorials to members of the Cholmley family. The stained glass windows are by Kempe.

This is a delightful church and very popular with visitors. It is very well worth visiting. The church is open daily, is free to enter and has a small shop. There is a large car park near the abbey, or else the church is reached by walking up the 199 steps. The post code is YO22 4DR and the grid reference is NZ 902113.

There are more pictures “here.”:


Join the club

Become a member to receive exclusive benefits

Our community is the heart of Silver Travel Advisor, we love nothing more than sharing ideas, inspiration, hints and tips between us.

Come feel the love on a Princess cruise. You’ll enjoy the MedallionClass experience others simply can’t, and it’s exclusively for everyone. Visit incredible destinations and be involved in the best experiences around each one of them.

Experience more with Princess and connect effortlessly with the world around you, spend time away with loved ones, take a moment for yourself, and fall in love with your holiday of a lifetime, every time.

With over 20 years of experience, Wendy Wu Tours has mastered the art of creating exceptional, fully inclusive tours which showcase the very best of each destination.

Each tour is led by a world-class guide, who will highlight the very best of their homeland, and includes authentic cultural experiences so you are not just seeing the sights, but truly immersing yourself in local life.

Say hello to ease at sea. Ambassador’s purpose is simple: they want to inspire every guest to experience authentic cruising, effortlessly and sustainably. Passionate about protecting our oceans and destinations, their ships comply with the highest industry emission standards and there is no single-use plastic on board.

On your voyage, you will receive the warmest of welcomes from the Ambassador community as you sail upon the friendliest ships afloat.

This is a global co-operative co-owned by local partners using real local experts and guides, which supports local communities, environments and wildlife. It offers travellers quirky places to stay, activity holidays and learning experiences. Not In The Guidebooks gets travellers off the beaten track into local culture with day experiences and longer, immersive adventures.

From wild wellness breaks in Wales to painting in Portugal, sustainable adventures in Mauritius to food safaris in Brazil, this is immersive, exciting travel.

Seabourn’s five intimate ships carry guests to the heart of great cities, exclusive yacht harbours and secluded coves around the world, while two new purpose-built expedition ships will combine exhilarating adventures in remote destinations with the sophisticated amenities of the world’s finest resorts at sea.

From the luxury of all suite accommodations to complimentary fine wines and spirits, and a no tipping policy, Seabourn exemplifies the definition of travelling well.